The Underground Railroad

A Novel
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From prize-winning, bestselling author Colson Whitehead, a magnificent tour de force chronicling a young slave's adventures as she makes a desperate bid for freedom in the antebellum South

Cora is a slave on a cotton plantation in Georgia. Life is hell for all the slaves, but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood—where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned—Cora kills a young white boy who tries to capture her. Though they manage to find a station and head north, they are being hunted.
     In Whitehead’s ingenious conception, the Underground Railroad is no mere metaphor—engineers and conductors operate a secret network of tracks and tunnels beneath the Southern soil. Cora and Caesar’s first stop is South Carolina, in a city that initially seems like a haven. But the city’s placid surface masks an insidious scheme designed for its black denizens. And even worse: Ridgeway, the relentless slave catcher, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom.
     Like the protagonist of Gulliver’s Travels, Cora encounters different worlds at each stage of her journey—hers is an odyssey through time as well as space. As Whitehead brilliantly re-creates the unique terrors for black people in the pre–Civil War era, his narrative seamlessly weaves the saga of America from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once a kinetic adventure tale of one woman’s ferocious will to escape the horrors of bondage and a shattering, powerful meditation on the history we all share.

Praise

"Nothing, not one thing or activity, can replace the experience of a good read—being transported to a different land, a different realm, through words and language. I just finished an advance copy of Colson Whitehead's new novel, The Underground Railroad. Every now and then a book comes along that reaches the marrow of your bones, settles in, and stays forever. This is one. It's a tour de force, and I don't say that lightly."
— Oprah Winfrey, O Magazine

"Whitehead, whose eclectic body of work encompasses novels playing fast and loose with 'real life,' both past and present, fires his most daring change-up yet. . . . Imagine a runaway slave novel written with Joseph Heller's deadpan voice leasing both Frederick Douglass' grim realities and H.P. Lovecraft's rococo fantasies…and that's when you begin to understand how startlingly original this book is. Whitehead continues the African-American artists' inquiry into race mythology and history with rousing audacity and razor-sharp ingenuity; he is now assuredly a writer of the first rank."
--Kirkus (starred review)

"[A] magnetizing and wrenching saga. . . . Hard-driving, laser-sharp, artistically superlative, and deeply compassionate, Whitehead’s unforgettable odyssey adds a clarion new facet to the literature of racial tyranny and liberation."
--Booklist (starred review)

"[S]pellbinding and ferocious.... The story is literature at its finest and history at its most barbaric. Would that this novel were required reading for every American citizen." 
--Publishers Weekly (starred review)

From the Hardcover edition.

Excerpt

Chapter 1

The first time Caesar approached Cora about running north, she said no.

This was her grandmother talking. Cora’s grandmother had never seen the ocean before that bright afternoon in the port of Ouidah and the water dazzled after her time in the fort’s dungeon. The dungeon stored them until the ships arrived. Dahomeyan raiders kidnapped the men first, then returned to her village the next moon for the women and children, marching them in chains to the sea two by two. As she stared into the black doorway, Ajarry thought she’d be reunited with her father, down there in the dark. The survivors from her village told her that when her father couldn’t keep the pace of the long march, the slavers stove in his head and left his body by the trail. Her mother had died years before.

Cora’s grandmother was sold a few times on the trek to the fort, passed between slavers for cowrie shells and glass beads. It was hard to say how much they paid for her in Ouidah as she was part of a bulk purchase, eighty-­eight human souls for sixty crates of rum and gunpowder, the price arrived upon after the standard haggling in Coast English. Able-­bodied men and childbearing women fetched more than juveniles, making an individual accounting difficult.

The Nanny was out of Liverpool and had made two previous stops along the Gold Coast. The captain staggered his purchases, rather than find himself with cargo of singular culture and disposition. Who knew what brand of mutiny his captives might cook up if they shared a common tongue. This was the ship’s final port of call before they crossed the Atlantic. Two yellow-­haired sailors rowed Ajarry out to the ship, humming. White skin like bone.

The noxious air of the hold, the gloom of confinement, and the screams of those shackled to her contrived to drive Ajarry to madness. Because of her tender age, her captors did not immediately force their urges upon her, but eventually some of the more seasoned mates dragged her from the hold six weeks into the passage. She twice tried to kill herself on the voyage to America, once by denying herself food and then again by drowning. The sailors stymied her both times, versed in the schemes and inclinations of chattel. Ajarry didn’t even make it to the gunwale when she tried to jump overboard. Her simpering posture and piteous aspect, recognizable from thousands of slaves before her, betrayed her intentions. Chained head to toe, head to toe, in exponential misery.

Although they had tried not to get separated at the auction in Ouidah, the rest of her family was purchased by Portuguese traders from the frigate Vivilia, next seen four months later drifting ten miles off Bermuda. Plague had claimed all on board. Authorities lit the ship on fire and watched her crackle and sink. Cora’s grandmother knew nothing about the ship’s fate. For the rest of her life she imagined her cousins worked for kind and generous masters up north, engaged in more forgiving trades than her own, weaving or spinning, nothing in the fields. In her stories, Isay and Sidoo and the rest somehow bought their way out of bondage and lived as free men and women in the City of Pennsylvania, a place she had overheard two white men discuss once. These fantasies gave Ajarry comfort when her burdens were such to splinter her into a thousand pieces.

The next time Cora’s grandmother was sold was after a month in the pest house on Sullivan’s Island, once the physicians certified her and the rest of the Nanny’s cargo clear of illness. Another busy day on the Exchange. A big auction always drew a colorful crowd. Traders and procurers from up and down the coast converged on Charleston, checking the merchandise’s eyes and joints and spines, wary of venereal distemper and other afflictions. Onlookers chewed fresh oysters and hot corn as the auctioneers shouted into the air. The slaves stood naked on the platform. There was a bidding war over a group of Ashanti studs, those Africans of renowned industry and musculature, and the foreman of a limestone quarry bought a bunch of pickaninnies in an astounding bargain. Cora’s grandmother saw a little boy among the gawkers eating rock candy and wondered what he was putting in his mouth.

Just before sunset an agent bought her for two hundred and twenty-­six dollars. She would have fetched more but for that season’s glut of young girls. His suit was made of the whitest cloth she had ever seen. Rings set with colored stone flashed on his fingers. When he pinched her breasts to see if she was in flower, the metal was cool on her skin. She was branded, not for the first or last time, and fettered to the rest of the day’s acquisitions. The coffle began their long march south that night, staggering behind the trader’s buggy. The Nanny by that time was en route back to Liverpool, full of sugar and tobacco. There were fewer screams belowdecks.

You would have thought Cora’s grandmother cursed, so many times was she sold and swapped and resold over the next few years. Her owners came to ruin with startling frequency. Her first master got swindled by a man who sold a device that cleaned cotton twice as fast as Whitney’s gin. The diagrams were convincing, but in the end Ajarry was another asset liquidated by order of the magistrate. She went for two hundred and eighteen dollars in a hasty exchange, a drop in price occasioned by the realities of the local market. Another owner expired from dropsy, whereupon his widow held an estate sale to fund a return to her native Europe, where it was clean. Ajarry spent three months as the property of a Welshman who eventually lost her, three other slaves, and two hogs in a game of whist. And so on.

Her price fluctuated. When you are sold that many times, the world is teaching you to pay attention. She learned to quickly adjust to the new plantations, sorting the nigger breakers from the merely cruel, the layabouts from the hardworking, the informers from the secret-­keepers. Masters and mistresses in degrees of wickedness, estates of disparate means and ambition. Sometimes the planters wanted nothing more than to make a humble living, and then there were men and women who wanted to own the world, as if it were a matter of the proper acreage. Two hundred and forty-­eight, two hundred and sixty, two hundred and seventy dollars. Wherever she went it was sugar and indigo, except for a stint folding tobacco leaves for one week before she was sold again. The trader called upon the tobacco plantation looking for slaves of breeding age, preferably with all their teeth and of pliable disposition. She was a woman now. Off she went.

She knew that the white man’s scientists peered beneath things to understand how they worked. The movement of the stars across the night, the cooperation of humors in the blood. The temperature requirements for a healthy cotton harvest. Ajarry made a science of her own black body and accumulated observations. Each thing had a value and as the value changed, everything else changed also. A broken calabash was worth less than one that held its water, a hook that kept its catfish more prized than one that relinquished its bait. In America the quirk was that people were things. Best to cut your losses on an old man who won’t survive a trip across the ocean. A young buck from strong tribal stock got customers into a froth. A slave girl squeezing out pups was like a mint, money that bred money. If you were a thing—­a cart or a horse or a slave—­your value determined your possibilities. She minded her place.

Finally, Georgia. A representative of the Randall plantation bought her for two hundred and ninety-­two dollars, in spite of the new blankness behind her eyes, which made her look simpleminded. She never drew a breath off Randall land for the rest of her life. She was home, on this island in sight of nothing.

Cora’s grandmother took a husband three times. She had a predilection for broad shoulders and big hands, as did Old Randall, although the master and his slave had different sorts of labor in mind. The two plantations were well-­stocked, ninety head of nigger on the northern half and eighty-­five head on the southern half. Ajarry generally had her pick. When she didn’t, she was patient.

Her first husband developed a hankering for corn whiskey and started using his big hands to make big fists. Ajarry wasn’t sad to see him disappear down the road when they sold him to a sugarcane estate in Florida. She next took up with one of the sweet boys from the southern half. Before he passed from cholera he liked to share stories from the Bible, his former master being more liberal-­minded when it came to slaves and religion. She enjoyed the stories and parables and supposed that white men had a point: Talk of salvation could give an African ideas. Poor sons of Ham. Her last husband had his ears bored for stealing honey. The wounds gave up pus until he wasted away.

Ajarry bore five children by those men, each delivered in the same spot on the planks of the cabin, which she pointed to when they misstepped. That’s where you came from and where I’ll put you back if you don’t listen. Teach them to obey her and maybe they’ll obey all the masters to come and they will survive. Two died miserably of fever. One boy cut his foot while playing on a rusted plow, which poisoned his blood. Her youngest never woke up after a boss hit him in the head with a wooden block. One after another. At least they were never sold off, an older woman told Ajarry. Which was true—­back then Randall rarely sold the little ones. You knew where and how your children would die. The child that lived past the age of ten was Cora’s mother, Mabel.

Ajarry died in the cotton, the bolls bobbing around her like whitecaps on the brute ocean. The last of her village, keeled over in the rows from a knot in her brain, blood pouring from her nose and white froth covering her lips. As if it could have been anywhere else. Liberty was reserved for other people, for the citizens of the City of Pennsylvania bustling a thousand miles to the north. Since the night she was kidnapped she had been appraised and reappraised, each day waking upon the pan of a new scale. Know your value and you know your place in the order. To escape the boundary of the plantation was to escape the fundamental principles of your existence: impossible.

It was her grandmother talking that Sunday evening when Caesar approached Cora about the underground railroad, and she said no.

Three weeks later she said yes.

This time it was her mother talking.

Georgia

v

THIRTY DOLLAR REWARD

Ran away from the subscriber, living in Salisbury, on the 5th instant, a negro girl by the name of LIZZIE. It is supposed that said girl is in the vicinity of Mrs. Steel’s plantation. I will give the above reward on the delivery of the girl, or for information on her being lodged in any Gaol in this state. All persons are forewarned of harboring said girl, under penalty of law prescribed.

W. M. DIXON

July 18, 1820

v

Jockey’s birthday only came once or twice a year. They tried to make a proper celebration. It was always Sunday, their half day. At three o’clock the bosses signaled the end of work and the northern plantation scurried to prepare, rushing through chores. Mending, scavenging moss, patching the leak in the roof. The feast took precedence, unless you had a pass to go into town to sell crafts or had hired yourself out for day labor. Even if you were inclined to forgo the extra wages—­and no one was so inclined—­impossible was the slave impudent enough to tell a white man he couldn’t work because it was a slave’s birthday. Everybody knew niggers didn’t have birthdays.

Cora sat by the edge of her plot on her block of sugar maple and worked dirt from under her fingernails. When she could, Cora contributed turnips or greens to the birthday feasts, but nothing was coming in today. Someone shouted down the alley, one of the new boys most likely, not completely broken in by Connelly yet, and the shouts cracked open into a dispute. The voices more crotchety than angry, but loud. It was going to be a memorable birthday if folks were already this riled.

“If you could pick your birthday, what would it be?” Lovey asked.

Cora couldn’t see Lovey’s face for the sun behind her, but she knew her friend’s expression. Lovey was uncomplicated, and there was going to be a celebration that night. Lovey gloried in these rare escapes, whether it was Jockey’s birthday, Christmas, or one of the harvest nights when everyone with two hands stayed up picking and the Randalls had the bosses distribute corn whiskey to keep them happy. It was work, but the moon made it okay. The girl was the first to tell the fiddler to get busy and the first to dance. She’d try to pull Cora from the sidelines, ignoring her protestations. As if they’d twirl in circles, arm in arm, with Lovey catching a boy’s eyes for a second on every revolution and Cora following suit. But Cora never joined her, tugging her arm away. She watched.

“Told you when I was born,” Cora said. She was born in winter. Her mother, Mabel, had complained enough about her hard delivery, the rare frost that morning, the wind howling between the seams in the cabin. How her mother bled for days and Connelly didn’t bother to call the doctor until she looked half a ghost. Occasionally Cora’s mind tricked her and she’d turn the story into one of her memories, inserting the faces of ghosts, all the slave dead, who looked down at her with love and indulgence. Even people she hated, the ones who kicked her or stole her food once her mother was gone.

“If you could pick,” Lovey said.

“Can’t pick,” Cora said. “It’s decided for you.”

“You best fix your mood,” Lovey said. She sped off.

Cora kneaded her calves, grateful for the time off her feet. Feast or no feast, this was where Cora ended up every Sunday when their half day of work was done: perched on her seat, looking for things to fix. She owned herself for a few hours every week was how she looked at it, to tug weeds, pluck caterpillars, thin out the sour greens, and glare at anyone planning incursions on her territory.

Reader's Guide

1. How does the depiction of slavery in The Underground Railroad compare to other depictions in literature and film?

2. The scenes on Randall’s plantation are horrific—how did the writing affect you as a reader?

3. In North Carolina, institutions like doctor’s offices and museums that were supposed to help ‘black uplift’ were corrupt and unethical. How do Cora’s challenges in North Carolina mirror what America is still struggling with today?

4. Cora constructs elaborate daydreams about her life as a free woman and dedicates herself to reading and expanding her education. What role do you think stories play for Cora and other travelers using the underground railroad?

5. “The treasure, of course, was the underground railroad... Some might call freedom the dearest currency of all.” How does this quote shape the story for you?

6. How does Ethel’s backstory, her relationship with slavery and Cora’s use of her home affect you?

7. What are your impressions of John Valentine’s vision for the farm?

8. When speaking of Valentine’s Farm, Cora explains “Even if the adults were free of the shackles that held them fast, bondage had stolen too much time. Only the children could take full advantage of their dreaming. If the white men let them.” What makes this so impactful both in the novel and today?

9. What do you think about Terrance Randall’s fate?

10. How do you feel about Cora’s mother’s decision to run away? How does your opinion of Cora’s mother change once you’ve learned about her fate?

11. Whitehead creates emotional instability for the reader: if things are going well, you get comfortable before a sudden tragedy. What does this sense of fear do to you as you’re reading?

12. Who do you connect with most in the novel and why?

13. How does the state-by-state structure impact your reading process? Does it remind you of any other works of literature?

14. The book emphasizes how slaves were treated as property and reduced to objects. Do you feel that you now have a better understanding of what slavery was like?

15. Why do you think the author chose to portray a literal railroad? How did this aspect of magical realism impact your concept of how the real underground railroad worked?

16. Does The Underground Railroad change the way you look at the history of America, especially in the time of slavery and abolitionism?

The Underground Railroad

From prize-winning, bestselling author Colson Whitehead, a magnificent tour de force chronicling a young slave's adventures as she makes a desperate bid for freedom in the antebellum SouthCora is a… More